GETTING
STARTED: SIT. THINK. WRITE. “OPEN A VEIN…”
Gather
your stuff and find a place where you won’t be disturbed too often. Put your
working title at the top of your page. Jot down some elements of an outline. For
your memoir: crisis, background, aftermath, significance. For your novel: who,
what, when, where, why, and how…the journalist’s questions. For your “how to”
book: problem, significance, solutions, and resources. You are on your way!
Next, start adding details to
the outline. Try the mind-map. Do some writing. Build momentum.
Check the clock. Ideally, you
would measure your effort by results, such as word count, or sections
completed, but at the very least you can mimic our governments and measure the
inputs, your time. Determine to sit there for 30 minutes or even an hour.
Have a goal for your output,
or your input. Keep it simple. Keep track.
“Open a vein” if personal
revelations or strong, emotive language is needed. Tap your inner comic or your
inner tragedian.
MAKING
TIME AND SPACE
Finding
time is as “easy” as getting up early or turning off the television. The
news is repetitious anyway. You’ve seen sports before. The commercials waste
your time. [Aversion therapy for the TV-addicted.] Finding space requires closing doors or going elsewhere. These take
discipline and practice. I’ll show you next how I handled the need for
self-discipline toward the beginning of my writing career:
Self-Discipline
Exemplified: No Email until Noon
“No
email until noon.” It is a simple rule, designed to reduce the distractions
plaguing this novice freelance writer. A person of stronger character could
peruse his email, look only at the most pressing items, and get back to
writing. Not me. Better, “Not I.”
I established this email rule yesterday. The allowable
exceptions are yet to be determined. After I called our printer this morning, I
broke it. They had sent me files I really wanted to look at. The files were
from a two-page spread in our local weekly paper, with pages 4 and 5 all about
Tina and me and my just-finished book, Ting and I: A Memoir
of Love, Courage, and Devotion. I had to read it.
The paper’s editor had given the assignment to a
“stringer,” a part-time, freelance writer, who herself is a poet and author,
Lara Edwards.
“This one is for you” or words to that effect, the editor
had said. He did not assign it to the writer who covers our local “beat,” town
meetings, open-air market openings, etc.
Ms. Edwards, daughter of a highly educated Turkish and
American couple, a social worker herself, was the right person to do the piece.
She did a magnificent job, breaking the first rule of journalism as practiced
today: she read the book before interviewing me. She came prepared, adapted well
to our conversation, wrote an article too good for the editor to abridge.
Enough about Lara Edwards, let’s talk about me.
Rather than continue writing, I drove down to the printer
and arranged to get one hundred copies of the article. Admittedly, I don’t have
that many friends and family members, but someday I will be sending the copies
to people I hope will review the book. I may also hand them out from a stall at
a county fair, to entice the rural visitors to buy our book about an
interracial couple who have dealt successfully with the challenges of almost
twenty years of separation, followed by Tina’s increasing disability due to
multiple sclerosis. It’s upbeat,
inspiring. I swear it is.
Now that I am home from the printer, I have resumed
writing, by writing this. It is already eleven, which is almost noon. I’ll sign
off here and check my email.
###
Excerpted from my new tome, Write Your Book with Me, published this year by Outskirts Press and available from online booksellers like amazon.com and bn.com in paperback and ebook formats for laughably low prices.
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